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1 October finds me painting at the upstream rapids of Sturgeon Chute on the Wanapite River, 6.7 kilometres northwest of Hartley Bay. To get just the right angle on the rapids, screened by flaming leaves of an overhanging Red Maple, I'm standing on a narrow grassy ledge, the small of my back leaning against a cold wall of smooth granite, with the feet of my easel only a few centimetres from the edge. About two metres below, courses the fast deep water,
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Cooper Marsh Late August

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  Cooper Marsh in Late August (oil on birch panel 8 x 10 in.) 28 August 2023 found me painting on the back deck of the Visitors Centre at the Cooper Marsh Conservation Area. It's a hot day, and I'm demonstrating plein air painting as part of a workshop hosted by the Raisin Region Conservation Authority and inspired by our mussels project with the River Institute.  It's a hot day, so we stayed in the building's shade rather than venturing out into the sunny marsh. Also, the deck offers a higher view across the marsh to the thin line of the pale blue St Lawrence and the deeper hazy blue of the north shore of New York State, visible between the Poplars and Willows. An Osprey calls loudly and insistently overhead. A Red Squirrel scolds chirrs every once in a while, in irritation that we are still here, and once a Bull Frog thrums unseen, from open water somewhere out there among the yellow-green Carex or the dark green Scirpus, this side of the strip of tall, pale-plumed Ph
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